Before I ever sat in a university lecture hall, I was building websites for paying clients. By the time I finished my Computer Science degree, the client list had grown past anything I expected: today it stands at more than fifty clients across Nigeria, the United Kingdom, and the United States, most of them women, most of them small business owners betting on themselves.
But the work that shaped me was not a tech job on paper. It was a bookstore.
At RovingHeights, one of Nigeria's most loved bookstores, I spent four years as the IT administrator behind the scenes of Nigerian reading culture. My proudest build there is a fully automated order management system that captures orders from every channel and carries each customer from checkout to delivery to feedback without a single dropped thread. I left in 2025. The system is still running. That is what I mean when I say I build infrastructure: it outlives me.
Books pulled me deeper. Through Being Black in Publishing, an initiative bringing more Black people into the business of publishing, I joined Cassava Republic Press, the London-based publishing house behind some of the most important African writing of our time, first as an intern, then as part of the team. I worked on digital marketing, infrastructure, and campaigns for books I will be proud of forever: The World Was in Our Hands by Chitra Nagarajan, telling the real stories of survivors of the Boko Haram conflict, and The Mercy Step by Marcia Hutchinson, now shortlisted for the 2026 Women's Prize for Fiction and a 2026 British Book Awards winner.
Then I co-founded my own answers to the question that haunts every Nigerian reader: what happens when people are priced out of books? PrimeBooks is my act of solidarity, creative partnerships that bring good books into Nigeria at prices readers can actually afford, because we refuse to be priced out of good literature. Open Arts Press is the other half of that resistance: a publishing house deciding which African stories get told and pushing them to the world, alongside houses like Cassava Republic, Jonathan Ball, and Narrative Landscape, instead of waiting for those decisions to be made outside the continent.
And then I did something unexpected. I took everything I knew about systems and applied it to American real estate. Today I am the transaction manager for a real estate team in Milwaukee, facilitating transactions from contract to closing, keeping the team in compliance, and coordinating the care of every client, from a desk six to seven hours ahead in Abuja. Nothing slips.
People used to tell me to pick one thing. I tried. It turns out the one thing was never an industry. It was a way of working: build the system carefully, tell the story honestly, and hold every project to the same standard.
That is what you get when you work with me.